The Cassette Tape Recorder Setup
Our series on songwriting setups for different situations continues! Today, we’re looking at the vibe-y stuff: a cassette tape recorder to write and record with.
Interesting options for cassette tape music recording
If you’re looking to get into recording onto cassette tape at home, you’ve got a lot of very classic vintage options. Here’s a few:
The Tascam Portastudio 003
This little guy is teeny, portable, and only has two channels. Limitations inspire creativity!
The Tascam Portastudio 414
This slightly bigger friend has more options, effects, more tracks, multiple input types, and is generally a much more powerful tool for writing music. Yet, still in a very small and vibey package.
This particular model is a legendary part of music history: Bruce Springsteen wrote his bedroom album Nebraska on this very piece of gear, before taking these same tracks into a pro studio for touchups.
The TEAC 144
If you’re looking to record in a fixed location with a bit more of a studio style layout, the TEAC 144 straddles the line between a consumer product and a piece of pro audio gear. There’s not as many effects options as the previous Tascam 414, but this certainly looks the part of a vibey piece of studio equipment.
Limitations of cassette tape recording
Before you spend any money on these types of items, you should be aware that anything involving recording to cassette tape was never intended to be a high-fidelity professional studio gear choice. Cassettes were (and are) great, because they allowed people of all ages to develop a personal physical collection of music at less expense and greater portability than a vinyl record.
Cassettes were never designed or intended to be used for accurate sound reproduction. Don’t think of them as a “poor man’s pro studio tape machine”. They’re very much a cheap, mainstream consumer product that was originally designed to be disposable and “good enough” sounding for playback on a cheap boombox that most people could afford.
They can be great, fun writing tools! But, since cassette tapes and the machines that play them back were always designed to be cheap, you shouldn’t expect them to last nearly as long as a real piece of professional studio gear. It can sometimes be a real pain to keep cassette recorders running. They’re difficult to work on, it’s hard to find parts, and I’m not sure the sound quality justifies the maintenance time or the money spent to purchase them.
You’re basically only buying these types of recording tools for the cool factor and the vibes, certainly not the reliability or the sound quality. And that’s fine! A vibey tool can often help you write better music, and that’s really the most important thing.
Just consider reliability and the hassle factor along with the vibes, before you go dropping hundreds of dollars on a piece of 30 year old faded plastic and brittle rubber.
There’s a lot of great digital recorders today that work really well, maybe aren’t quite as vibey, but are much more reliable and flexible, for a much cheaper price.
The Tascam DP-006 is a digital recorder that has six tracks, a bunch of effects, more record time, and is smaller and more portable than any of the cassette tape gear, for only $170 brand new at time of writing.
A lot of the cassette tape options tend to run a lot more expensive than that: anywhere from $200-$500 and up, for a piece of used equipment that, while full of character, might let you down pretty quickly.
